Deborah Mannis-Gardner was interviewed on Episode 47 of the Music Is My Business Podcast to discuss topics including:

• Who should a filmmaker approach to clear a song for distribution versus festivals?
• When it comes to indie clearances versus major do you think there is a different level of like complication when it comes to clearing stuff?
• How does pricing work in clearing samples? Is it an hourly rate or is it based on the amount required to sample it? 
• Is it better to do a sample beat or to create your own and send it out?
• What about Tracklib for clearing samples?